jailcd2024048: Cultural Politics in Lanna Art: Unraveling Sectarian Influences

Abstract

Research on Lanna art and architecture traditionally emphasizes the dominant role of royal political authority during the Lanna period. This widespread narrative suggests that artistic expressions were primarily shaped by the policies and preferences of Lanna kings. However, this study offers a subtle perspective, challenging the idea of a one-sided relationship between royal policies and artistic manifestations. An examination of Lanna scripture, art, and architecture uncovers a complex interplay of influences, diverging from the conventional royal-centric narrative. Evidence indicates a departure from the established belief in the exclusive influence of kings on the stylistic features of these artifacts. Beyond political influence, this study explores the impact of local Buddhist sects, including "Folk sect," "Flower sect," and "Padang sect," on shaping Lanna Buddhist artifacts through their ideologies and material expressions. Focusing on the classical Lanna period (circa 20-21 B.C.), this investigation examines the cultural and political dynamics. By highlighting the ideological and artistic imprints of these sects, the study reveals a rich interplay between their distinctive doctrines and the creation of Lanna Buddhist artifacts. These artifacts, including Buddha statues and stupa designs, provide evidence of diverse influences and complex expressions within Lanna art and architecture, moving beyond the conventional emphasis on royal authority.